Here is the last Tech Talk from Jude Skeers who will be our Knitter-In-Residence in one week! So exciting.
As noted in the first Tech Talk article (posted January 15, 2015) he has sent these articles to Roisin to be shared with us.
The article was first published in the Australian magazine Yarn which you can see at the store.
Intarsia Knitting
By Jude Skeers
What we know today as Intarsia knitting became hugely
popular in the 1980’s. When the Princess of Wales was photographed wearing
Jenny Kee’s Koala motif jumper hand knitters flocked to create what at the time
was commonly referred to as picture knitting. Before this popularity, Intarsia
technique in hand knitting was used in limited styles as in Argyle and a
feature in children’s garments. It took someone very famous to launch intarsia
as a ‘must-have’ adult knitting fashion.
The word Intarsia is derived from Italian, which according
to Wikipedia is “an elaborate form of marquetry using inlays in wood,
especially as practised in 15th-century Italy.” Richard
Rutt, in the Historical Glossary appendix in A History of Hand Knitting, (1987),
writes, “Intarsia 1863. An Italian term for decorative wood inlay; 1957 applied
to multicoloured flat knitting in which a separate strand is used for each
colour area, the fabric being held together by twisting the two yarns at every
colour change, without stranding or weaving on the wrong side of the fabric.” 1957
is the year referenced in the Oxford
English Dictionary. However, the term wasn’t used widely in publication until
the 1980’s.
An intriguing aspect when researching Intarsia hand knitting
is the lack of reference to it among the major knitting book writers. Mary
Thomas who wrote, two reference books, in the 1930’s makes no reference to
Intarsia technique. Barbara Walker in the 1960’s and 1970’s wrote seven books
on hand knitting including three in her ‘Treasury
of Knitting Patterns’ series without including Intarsia.
Authors writing after 1980 began to
include the term, Intarsia. Montse Stanley Knitter’s Handbook (2001), originally published as The Handknitter’s Handbook (1986) gave a
detailed description, “Intarsia. Also called geometric, tartan, collage or
patchwork knitting. A technique used for working totally independent blocks of
colour, as in large geometrical arrangements and ‘picture knitting’”. A more
detailed description of the technique came with Kaffe Fassett in his first
knitting book, Glorious Knitting,
(1985). He distinguished the technique of Intarsia from stranded knitting:
“Intarsia, where colours are knitted in place and knitting-in where they are
carried across the back of the work and either stranded or woven in. Intarsia
method creates a single thickness fabric whereas knitting-in creates a double
or triple thickness depending on the number of colours in the row.”
Liz Gemmell was one of the Australian knitwear designers who
created Intarsia patterned garments in the 1980’s. In her book Knitting for the home (1991), she uses
the title Picture Knitting when detailing the technique, but writing in the
description “... this method, also called intarsia.” This suggests that term
Intarsia wasn’t being widely used in Australia. Liz was one of a group of
Australian designers including Jenny Kee, Ruth Fitzpatrick, Michael Glover,
Jenni Dudley, Robyn Malcom, Ken Killeen and Yolanda Chommley Smith. They were known
for their use of brightly coloured motifs, many of them with a distinctive
Australian flavour.
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